Musings: Boucher, Women and Ownership in Rococo Painting

The open display of the female body in the private arts becomes synonymous with questions of ownership. Boucher’s painting of the nude is intimately bound with the patron. In the 18th century, sensual scenes involving European mistresses serve to demonstrate what Cavendish identifies as a “contemporary vogue for erotic intrigue among the French nobility”. Jean … Continue reading Musings: Boucher, Women and Ownership in Rococo Painting

Tastes and Collecting: The Appetite for Chinese Porcelain in Britain (1)

The collection and display of Chinese porcelain, both in Britain and on the continent, acted as a social signifier of taste, status and sensibility - significantly figuring in interior decoration of the late 17th and early 18th centuries. Greatly accumulated and emulated, porcellena, from the Italian was held in high esteem and revered as a … Continue reading Tastes and Collecting: The Appetite for Chinese Porcelain in Britain (1)

Worlds Within Worlds Part 3: Wealthy Dutch Women in the 17th Century

Please note: This article follows on from part 1 (Mid-17th Century Amsterdam) and part 2 (Dutch Preoccupations in the 17th Century) of my written web series on Dutch Dollhouse Culture. At this time, hobbies for women related to material culture, consumption and domesticity so, textiles, shopping, ladylike activity, charity work and the running of a … Continue reading Worlds Within Worlds Part 3: Wealthy Dutch Women in the 17th Century