Romanticism: Women and Sexuality in ‘Christabel’ by Samuel Taylor Coleridge

Samuel Taylor Coleridge (1772-1834) frames Christabel (1816) within Gothicism, extending on the occult forces of the “Other” embodied by women. Coleridge had written on the presentation of female characters in Gothic literature stating that they were either models of ‘trembling innocence’ or of ‘shameless harlotry’[1]. This statement correlates with a view within the sphere of … Continue reading Romanticism: Women and Sexuality in ‘Christabel’ by Samuel Taylor Coleridge

Women in Late-Medieval Art: The Image of Eve

The perceptions of women from their representation in late-medieval art (1300 - 1500) suggest identities, carefully crafted and delivered by those governing society. The church and patriarchy held it's domination, meaning that a woman's place was inherently subordinate and defined by the characteristics of her sexuality. These suppositions were imposed on those whose views were … Continue reading Women in Late-Medieval Art: The Image of Eve