Objects figure prominently in Dada and Surrealism, starting with Marcel Duchamp’s (1887-1968) introduction of the assisted ‘Ready-Made’[1] and branching out into the ‘Surrealist Object’ which 34 took its cue from Duchamp’s conception and initial use of the ‘Found Object’. Attached to Dada as a disruptive art of ‘noise’[2], props and masks were used, incorporating objects … Continue reading Dadaism & Surrealism: Use of Objects