Musings: Angela Carter & The Bloody Chamber

The Bloody Chamber: Blood. Using blood as the starting point, my initial thoughts are on Carter’s title, its allusions and its uses in a wider feminist discussion. A woman’s fertility and her sexuality come down to blood: Hot-blooded, intimacy, rituals, cults and covens, blood bonds; there’s a mysticism surrounding blood and its potency. Feminist artists … Continue reading Musings: Angela Carter & The Bloody Chamber

Romanticism: Women and Sexuality in ‘Christabel’ by Samuel Taylor Coleridge

Samuel Taylor Coleridge (1772-1834) frames Christabel (1816) within Gothicism, extending on the occult forces of the “Other” embodied by women. Coleridge had written on the presentation of female characters in Gothic literature stating that they were either models of ‘trembling innocence’ or of ‘shameless harlotry’[1]. This statement correlates with a view within the sphere of … Continue reading Romanticism: Women and Sexuality in ‘Christabel’ by Samuel Taylor Coleridge

Shakespearean Drama: Analysis of William Shakespeare’s Richard III, Act I Scene 2

Richard III stands as a historical play in the Shakespearean canon: Playwright William Shakespeare (1564-1616) worked this particular episode circa 1592 in a saga pertaining to the ‘Tudor Myth’[1]. Belonging to the First Folio, Richard III closes a tetralogy and charts the ambitions of historical figure King Richard III of England (1452-1485). As part of … Continue reading Shakespearean Drama: Analysis of William Shakespeare’s Richard III, Act I Scene 2

The Impressionists – Putting Women in the Picture

A note on the text: I've been writing on Impressionism in 19th century Paris through a mini-series. If you haven't already, it might be beneficial to read the first two introductory parts before delving into this article. To contextualise The Impressionists, please read here... To discover Le Flâneur, please read here... In relation to men, … Continue reading The Impressionists – Putting Women in the Picture