In the Frame: Botticelli’s Primavera

Sandro Botticelli (1445 - 1510) paints Primavera in the second half of the 15th century, Florence - speculated to be the year 1482. Here, he works on a commission from his principal patrons, the Medici dynasty, having found favour with it’s burgeoning intelligentsia. Botticelli presents Primavera as a large-scale mythological painting playing on popular literary, … Continue reading In the Frame: Botticelli’s Primavera

Women in Late-Medieval Art: The Image of Eve

The perceptions of women from their representation in late-medieval art (1300 - 1500) suggest identities, carefully crafted and delivered by those governing society. The church and patriarchy held it's domination, meaning that a woman's place was inherently subordinate and defined by the characteristics of her sexuality. These suppositions were imposed on those whose views were … Continue reading Women in Late-Medieval Art: The Image of Eve