Prince Albert: Patron & Collector – Museums and Education in Victorian England

Albert’s German background, educational pursuits and patronage efforts accumulated in his aims for permanent museums as places of learning and leisure. Albert had a desire to reform deign and art education via a Kultuforum[1] in South Kensington, given the progressive, intellectual and reformative climate of the nineteenth century. Socially, the government had passed the Reform … Continue reading Prince Albert: Patron & Collector – Museums and Education in Victorian England

Prince Albert: Patron & Collector – Supporting the Efforts of Artists and Innovators

Prince Albert proved himself to be an involved patron using his own expertise to foster artistic talent, his twin pursuits of Northern and Italian painting inclined the prince to encourage living artists. For example, Albert acquired paintings from contemporaries such as William Dobson, William Dyce, Charles Eastlake and Michael Wittmer1, whose work added to the vocabulary … Continue reading Prince Albert: Patron & Collector – Supporting the Efforts of Artists and Innovators