The Yellow Wallpaper: Hysteria, Rest Cures & Gender Theory

Throughout Victorian culture, ‘The angel in the house’ works as a one-dimensional character identity, however, in ‘The Yellow Paper’ Charlotte Perkins Gilman chooses to write about a 19th century woman who overtly experiences a crisis of the self and case of conflicted identity. This becomes evident at first through the division of the ‘rational’ which … Continue reading The Yellow Wallpaper: Hysteria, Rest Cures & Gender Theory

Women’s Literature: Charlotte Perkins Gilman’s The Yellow Wallpaper – Killing the Angel in the House (1)

Virginia Woolf’s instruction for the woman writer to kill the ‘Angel in the House’ underpinned the crux of her argument Professions for Women delivered in 1942 to the Women’s Service League. American writer Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’ predates the essays of Woolf in the 20th century, contemporary to the ‘Angel in the House’ … Continue reading Women’s Literature: Charlotte Perkins Gilman’s The Yellow Wallpaper – Killing the Angel in the House (1)

Musings: The Concept of “Femininity” and the Rococo Style

With the rococo, given the social climate contemporary to that time in history, you cannot help but notice that the scenes and embellishments demonstrate the nuances of taste, decoration and aesthetic influenced and informed by women. It was the Earl of Shaftesbury who, in, 1713 denounced the Rococo style as “a revolting form exalting Sensation … Continue reading Musings: The Concept of “Femininity” and the Rococo Style

‘Good’ and ‘Bad’ Women in Medieval Art

Reinforcing the lockdown on women’s sexuality and the expectations surrounding her position is made explicit in their representation in late-medieval art through the frequent juxtaposition of those seen to be as vessels of virtue or vice. Popular divisions were made between good and evil, of life and death and between body and soul: where women … Continue reading ‘Good’ and ‘Bad’ Women in Medieval Art

Musings: Women, the Toilette and the Boudoir in Rococo Painting

Time for a little titillation: The Rococo's answer to pin-ups on cigarette cards, peep holes and voyeuristic fascination - let's step into the boudoir. Gentlemen getting hot under the dog collar at thoughts of 'walking in' on a lady in a state of undress, that glimpse of an ankle, a well turned calf, the cinching … Continue reading Musings: Women, the Toilette and the Boudoir in Rococo Painting

Women in Late-Medieval Art: The Image of Eve

The perceptions of women from their representation in late-medieval art (1300 - 1500) suggest identities, carefully crafted and delivered by those governing society. The church and patriarchy held it's domination, meaning that a woman's place was inherently subordinate and defined by the characteristics of her sexuality. These suppositions were imposed on those whose views were … Continue reading Women in Late-Medieval Art: The Image of Eve