Let down your hair: The Comb as a Love Token in Medieval and Renaissance Europe

The image of a beautiful young woman combing her long, oftentimes blonde hair, has traction throughout the Medieval period and in folklore and fairytale ever since. Indeed, it’s a single strand of Isolde’s hair, the Goose Girl’s unbraiding, the Virgin Queen’s coronation splendor, Rapunzel’s tresses – that capture the imagination and are truly evocative of … Continue reading Let down your hair: The Comb as a Love Token in Medieval and Renaissance Europe

Prince Albert: Patron & Collector – A Curatorial Character

Prince Albert had quite the curatorial character, something expressed through the fervor of his collecting habits and especially when outfitting an estate. In the management of art works belonging to the royal households, Albert proved himself to be meticulous, a factor which Lucy Whittaker examines when writing on his ‘systematic approach to art and frames’1. … Continue reading Prince Albert: Patron & Collector – A Curatorial Character

Prince Albert: Patron & Collector – Taste, Influence and Personal Preference

In 19th century England the fact remained that Prince Albert of Saxe-Coburg and Gotha, consort to Queen Victoria, was a ‘foreign’ German prince1. Parliament had been cautious, reigning in Prince Albert’s allowance of Royal privileges, one of which included holding back the title ‘Prince Consort’ and another saw the strings to the royal purse being … Continue reading Prince Albert: Patron & Collector – Taste, Influence and Personal Preference