The Concept of Femininity and the Rococo Style

With the rococo, given the social climate contemporary to that time in history, you cannot help but notice that the scenes and embellishments demonstrate the nuances of taste, decoration and aesthetic influenced and informed by women. It was the Earl of Shaftesbury who, in, 1713 denounced the Rococo style as “a revolting form exalting Sensation … Continue reading The Concept of Femininity and the Rococo Style

L’Amour Courtois: Courtly Love – Women in Medieval Art

Courtly love or l'amour courtois as the french called this poetic movement appears in Western European literary and artistic traditions between the 12th and 15th centuries. Beginning with the troubadour poetry of Aquitaine and Provence, a chivalric code of conduct was prescribed, between ladies and the men who vowed to serve them in a romanticised idyll. Stefan … Continue reading L’Amour Courtois: Courtly Love – Women in Medieval Art

Musings: Boucher, Women and Ownership in Rococo Painting

The open display of the female body in the private arts becomes synonymous with questions of ownership. Boucher’s painting of the nude is intimately bound with the patron. In the 18th century, sensual scenes involving European mistresses serve to demonstrate what Cavendish identifies as a “contemporary vogue for erotic intrigue among the French nobility”. Jean … Continue reading Musings: Boucher, Women and Ownership in Rococo Painting