Musings: Angela Carter & The Bloody Chamber

The Bloody Chamber: Blood. Using blood as the starting point, my initial thoughts are on Carter’s title, its allusions and its uses in a wider feminist discussion. A woman’s fertility and her sexuality come down to blood: Hot-blooded, intimacy, rituals, cults and covens, blood bonds; there’s a mysticism surrounding blood and its potency. Feminist artists … Continue reading Musings: Angela Carter & The Bloody Chamber

The Yellow Wallpaper: Hysteria, Rest Cures & Gender Theory

Throughout Victorian culture, ‘The angel in the house’ works as a one-dimensional character identity, however, in ‘The Yellow Paper’ Charlotte Perkins Gilman chooses to write about a 19th century woman who overtly experiences a crisis of the self and case of conflicted identity. This becomes evident at first through the division of the ‘rational’ which … Continue reading The Yellow Wallpaper: Hysteria, Rest Cures & Gender Theory

The Yellow Wallpaper: Fear, The Uncanny & The Female Gothic

'The Yellow Wallpaper' by Charlotte Perkins Gilman overturns the reader's expectations of a 19th century wife and mother. The narrator's 'descent' into madness is an evocative commentary on the powers that be - a troubling psychosis which reads as an early psychological horror story. In the first part of this series, we referred to Virginia Woolf … Continue reading The Yellow Wallpaper: Fear, The Uncanny & The Female Gothic

Women’s Literature: Charlotte Perkins Gilman’s The Yellow Wallpaper – Killing the Angel in the House (1)

Virginia Woolf’s instruction for the woman writer to kill the ‘Angel in the House’ underpinned the crux of her argument Professions for Women delivered in 1942 to the Women’s Service League. American writer Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’ predates the essays of Woolf in the 20th century, contemporary to the ‘Angel in the House’ … Continue reading Women’s Literature: Charlotte Perkins Gilman’s The Yellow Wallpaper – Killing the Angel in the House (1)