Prince Albert: Patron & Collector – Supporting the Efforts of Artists and Innovators

Prince Albert proved himself to be an involved patron using his own expertise to foster artistic talent, his twin pursuits of Northern and Italian painting inclined the prince to encourage living artists. For example, Albert acquired paintings from contemporaries such as William Dobson, William Dyce, Charles Eastlake and Michael Wittmer1, whose work added to the vocabulary … Continue reading Prince Albert: Patron & Collector – Supporting the Efforts of Artists and Innovators

Prince Albert: Patron & Collector – Taste, Influence and Personal Preference

In 19th century England the fact remained that Prince Albert of Saxe-Coburg and Gotha, consort to Queen Victoria, was a ‘foreign’ German prince1. Parliament had been cautious, reigning in Prince Albert’s allowance of Royal privileges, one of which included holding back the title ‘Prince Consort’ and another saw the strings to the royal purse being … Continue reading Prince Albert: Patron & Collector – Taste, Influence and Personal Preference

Musings: Women, the Toilette and the Boudoir in Rococo Painting

Time for a little titillation: The Rococo's answer to pin-ups on cigarette cards, peep holes and voyeuristic fascination - let's step into the boudoir. Gentlemen getting hot under the dog collar at thoughts of 'walking in' on a lady in a state of undress, that glimpse of an ankle, a well turned calf, the cinching … Continue reading Musings: Women, the Toilette and the Boudoir in Rococo Painting