Romanticism: Women and Sexuality in ‘Christabel’ by Samuel Taylor Coleridge

Samuel Taylor Coleridge (1772-1834) frames Christabel (1816) within Gothicism, extending on the occult forces of the “Other” embodied by women. Coleridge had written on the presentation of female characters in Gothic literature stating that they were either models of ‘trembling innocence’ or of ‘shameless harlotry’[1]. This statement correlates with a view within the sphere of … Continue reading Romanticism: Women and Sexuality in ‘Christabel’ by Samuel Taylor Coleridge

Shakespearean Drama: Analysis of William Shakespeare’s Richard III, Act I Scene 2

Richard III stands as a historical play in the Shakespearean canon: Playwright William Shakespeare (1564-1616) worked this particular episode circa 1592 in a saga pertaining to the ‘Tudor Myth’[1]. Belonging to the First Folio, Richard III closes a tetralogy and charts the ambitions of historical figure King Richard III of England (1452-1485). As part of … Continue reading Shakespearean Drama: Analysis of William Shakespeare’s Richard III, Act I Scene 2

Toxic Renaissance Relationships in Literature: Beatrice-Joanna and De Flores (The Changeling) and Doctor Faustus and Mephistopheles (Doctor Faustus)

Doctor Faustus (c. 1592) by Christopher Marlowe (1564-1593) and The Changeling (c. 1622) by Thomas Middleton (1580-1627) and William Rowley (c. 1585-1626) are concerned with human nature, gulling and sin. The relationship’s of Beatrice-Joanna and De Flores in The Changeling and Doctor Faustus and Mephistopheles in Doctor Faustus are founded on arrangements which entail the … Continue reading Toxic Renaissance Relationships in Literature: Beatrice-Joanna and De Flores (The Changeling) and Doctor Faustus and Mephistopheles (Doctor Faustus)

Musings: The Concept of “Femininity” and the Rococo Style

With the rococo, given the social climate contemporary to that time in history, you cannot help but notice that the scenes and embellishments demonstrate the nuances of taste, decoration and aesthetic influenced and informed by women. It was the Earl of Shaftesbury who, in, 1713 denounced the Rococo style as “a revolting form exalting Sensation … Continue reading Musings: The Concept of “Femininity” and the Rococo Style

‘Good’ and ‘Bad’ Women in Medieval Art

Reinforcing the lockdown on women’s sexuality and the expectations surrounding her position is made explicit in their representation in late-medieval art through the frequent juxtaposition of those seen to be as vessels of virtue or vice. Popular divisions were made between good and evil, of life and death and between body and soul: where women … Continue reading ‘Good’ and ‘Bad’ Women in Medieval Art