Thoughts On The Women Who Inspired London Art by Lucy Merello Peterson for fellow historians and readers

The early-mid century London art scene has always been of particular interest to me, given my love affair with the Bloomsbury Group and their circle as they fox-trotted across the literary, artistic, philosophical and intellectual worlds of the new millennia. The Omega Set, in particular and their liberal play with the decorative arts was especially … Continue reading Thoughts On The Women Who Inspired London Art by Lucy Merello Peterson for fellow historians and readers

Dadaism & Surrealism: Responses to Culture

Dada and Surrealism respond to cultural circumstances, into which their respective aesthetic and ideological frameworks come into play. The dadaist response post-WWI is overtly politicised in Berlin, where the aftermath of war in Germany was felt acutely, providing a state of social and political disorder which German artists could exploit through the dada channel. Dada, … Continue reading Dadaism & Surrealism: Responses to Culture

Dadaism & Surrealism: An Introduction

Dada (1916-1924) and Surrealism (1924-1966) stand as two movements from markedly different time periods and cultural contexts. Both of these span artistic, literary and intellectual activity of the early 20th century, involving circles of writers, poets and visual artists who feed into a larger group output. Dada launched in 1916 in Zurich as a direct … Continue reading Dadaism & Surrealism: An Introduction

The Omega Workshops Ltd. – Company Ethos

The company ethos of the Omega Workshops was a development from that of previous institutions and movements. The Aesthetic movement of the late nineteenth century had stressed ‘art for art’s sake’1 as a working principle which translates into the Omega emphasis on pure art and beauty. What critic Charles Marriott sees in Omega as ‘a … Continue reading The Omega Workshops Ltd. – Company Ethos