Musings: Angela Carter & The Bloody Chamber

The Bloody Chamber: Blood. Using blood as the starting point, my initial thoughts are on Carter’s title, its allusions and its uses in a wider feminist discussion. A woman’s fertility and her sexuality come down to blood: Hot-blooded, intimacy, rituals, cults and covens, blood bonds; there’s a mysticism surrounding blood and its potency. Feminist artists … Continue reading Musings: Angela Carter & The Bloody Chamber

Romanticism: Women and Sexuality in ‘Christabel’ by Samuel Taylor Coleridge

Samuel Taylor Coleridge (1772-1834) frames Christabel (1816) within Gothicism, extending on the occult forces of the “Other” embodied by women. Coleridge had written on the presentation of female characters in Gothic literature stating that they were either models of ‘trembling innocence’ or of ‘shameless harlotry’[1]. This statement correlates with a view within the sphere of … Continue reading Romanticism: Women and Sexuality in ‘Christabel’ by Samuel Taylor Coleridge

Romanticism: Women and Sexuality in ‘Kubla Khan’ by Samuel Taylor Coleridge

Samuel Taylor Coleridge (1772-1834) writes Kubla Khan (1816) in a mode of escapism which was compatible with the Romantic attitude in the late 18th and early 19th centuries. Kubla Khan is composed with allusions to the exotic, foreign and erotic, all which are elements of the poem’s pervading Orientalism. Drawing on connotations of “Otherness”, the … Continue reading Romanticism: Women and Sexuality in ‘Kubla Khan’ by Samuel Taylor Coleridge

The Omega Workshops Ltd. – Company Ethos

The company ethos of the Omega Workshops was a development from that of previous institutions and movements. The Aesthetic movement of the late nineteenth century had stressed ‘art for art’s sake’1 as a working principle which translates into the Omega emphasis on pure art and beauty. What critic Charles Marriott sees in Omega as ‘a … Continue reading The Omega Workshops Ltd. – Company Ethos