The Yellow Wallpaper: Fear, The Uncanny & The Female Gothic

'The Yellow Wallpaper' by Charlotte Perkins Gilman overturns the reader's expectations of a 19th century wife and mother. The narrator's 'descent' into madness is an evocative commentary on the powers that be - a troubling psychosis which reads as an early psychological horror story. In the first part of this series, we referred to Virginia Woolf … Continue reading The Yellow Wallpaper: Fear, The Uncanny & The Female Gothic

The Impressionists – Introducing ‘Le Flâneur’

We've explored how painters like Renoir and Degas concerned themselves with capturing scenes of the capital by day and by night, an occupation which stemmed from Paris opening like a cultural flower in the mid-19th century - its new environs practically buzzing with diversions to catch the eye. The monolithic intentions of city planner Baron … Continue reading The Impressionists – Introducing ‘Le Flâneur’

Prince Albert: Patron & Collector – A Curatorial Character

Prince Albert had quite the curatorial character, something expressed through the fervor of his collecting habits and especially when outfitting an estate. In the management of art works belonging to the royal households, Albert proved himself to be meticulous, a factor which Lucy Whittaker examines when writing on his ‘systematic approach to art and frames’1. … Continue reading Prince Albert: Patron & Collector – A Curatorial Character

The Omega Workshops Ltd. – Company Ethos

The company ethos of the Omega Workshops was a development from that of previous institutions and movements. The Aesthetic movement of the late nineteenth century had stressed ‘art for art’s sake’1 as a working principle which translates into the Omega emphasis on pure art and beauty. What critic Charles Marriott sees in Omega as ‘a … Continue reading The Omega Workshops Ltd. – Company Ethos