The Yellow Wallpaper: Hysteria, Rest Cures & Gender Theory

Throughout Victorian culture, ‘The angel in the house’ works as a one-dimensional character identity, however, in ‘The Yellow Paper’ Charlotte Perkins Gilman chooses to write about a 19th century woman who overtly experiences a crisis of the self and case of conflicted identity. This becomes evident at first through the division of the ‘rational’ which … Continue reading The Yellow Wallpaper: Hysteria, Rest Cures & Gender Theory

The Victorian Country House: Morality, Domesticity & Organisation

Running a household in Victorian England had become a science – with tasks to be delegated and a system of categorised activity for those at every level of society. When Girouard writes of the eminent concern for ‘morality, domesticity, organisation and hospitality’[1] in the country house the emphasis is on the rigid upholding of standards … Continue reading The Victorian Country House: Morality, Domesticity & Organisation

Prince Albert: Patron & Collector – Museums and Education in Victorian England

Albert’s German background, educational pursuits and patronage efforts accumulated in his aims for permanent museums as places of learning and leisure. Albert had a desire to reform deign and art education via a Kultuforum[1] in South Kensington, given the progressive, intellectual and reformative climate of the nineteenth century. Socially, the government had passed the Reform … Continue reading Prince Albert: Patron & Collector – Museums and Education in Victorian England

The Impressionists – Putting Women in the Picture

A note on the text: I've been writing on Impressionism in 19th century Paris through a mini-series. If you haven't already, it might be beneficial to read the first two introductory parts before delving into this article. To contextualise The Impressionists, please read here... To discover Le Flâneur, please read here... In relation to men, … Continue reading The Impressionists – Putting Women in the Picture