The Impressionists – Introducing ‘Le Flâneur’

We've explored how painters like Renoir and Degas concerned themselves with capturing scenes of the capital by day and by night, an occupation which stemmed from Paris opening like a cultural flower in the mid-19th century - its new environs practically buzzing with diversions to catch the eye. The monolithic intentions of city planner Baron … Continue reading The Impressionists – Introducing ‘Le Flâneur’

The Impressionists – Capturing 19th Century Paris By Day and By Night

The work commissioned by Napoléon III formed the basis of modernity under an extensive series of ‘Second Empire reforms’ during the years 1853-18701. Chief Urban Planner, Baron Hausmann’s planned redevelopment of Paris (quite literally) opened the avenues expected of a modern metropolis: sprawling boulevards, public spaces and monuments invited polite society to engage in leisure … Continue reading The Impressionists – Capturing 19th Century Paris By Day and By Night

Displaying Porcelain in the 17th and 18th Centuries

The porcelain displays of William and Mary were prevalent on a lesser scale (in terms of grandeur, moving on from the baroque palace) in the Dutch interior of the 17th century where Chinese pieces were a desirable luxury and a popular commodity among the affluent [1]. Here, choice examples of an eclectic variety (vases, bowls, … Continue reading Displaying Porcelain in the 17th and 18th Centuries

‘Good’ and ‘Bad’ Women in Medieval Art

Reinforcing the lockdown on women’s sexuality and the expectations surrounding her position is made explicit in their representation in late-medieval art through the frequent juxtaposition of those seen to be as vessels of virtue or vice. Popular divisions were made between good and evil, of life and death and between body and soul: where women … Continue reading ‘Good’ and ‘Bad’ Women in Medieval Art