Dadaism & Surrealism: Responses to Culture

Dada and Surrealism respond to cultural circumstances, into which their respective aesthetic and ideological frameworks come into play. The dadaist response post-WWI is overtly politicised in Berlin, where the aftermath of war in Germany was felt acutely, providing a state of social and political disorder which German artists could exploit through the dada channel. Dada, … Continue reading Dadaism & Surrealism: Responses to Culture

Dadaism & Surrealism: An Introduction

Dada (1916-1924) and Surrealism (1924-1966) stand as two movements from markedly different time periods and cultural contexts. Both of these span artistic, literary and intellectual activity of the early 20th century, involving circles of writers, poets and visual artists who feed into a larger group output. Dada launched in 1916 in Zurich as a direct … Continue reading Dadaism & Surrealism: An Introduction

The Victorian Country House: Morality, Domesticity & Organisation

Running a household in Victorian England had become a science – with tasks to be delegated and a system of categorised activity for those at every level of society. When Girouard writes of the eminent concern for ‘morality, domesticity, organisation and hospitality’[1] in the country house the emphasis is on the rigid upholding of standards … Continue reading The Victorian Country House: Morality, Domesticity & Organisation