Dadaism & Surrealism: Responses to Culture

Dada and Surrealism respond to cultural circumstances, into which their respective aesthetic and ideological frameworks come into play. The dadaist response post-WWI is overtly politicised in Berlin, where the aftermath of war in Germany was felt acutely, providing a state of social and political disorder which German artists could exploit through the dada channel. Dada, … Continue reading Dadaism & Surrealism: Responses to Culture

Dadaism & Surrealism: An Introduction

Dada (1916-1924) and Surrealism (1924-1966) stand as two movements from markedly different time periods and cultural contexts. Both of these span artistic, literary and intellectual activity of the early 20th century, involving circles of writers, poets and visual artists who feed into a larger group output. Dada launched in 1916 in Zurich as a direct … Continue reading Dadaism & Surrealism: An Introduction

The Elizabethan Country House And The Cult Of Sovereignty

From 1570 – 1620 one can chart the ‘Elizabethan building boom’[1]. Here, we see an unprecedented rise in the building of ‘proud, ambitious heaps’[2] and the beginnings of the ‘architect’ as an entity in the cultural, economic and social landscape. Architectural historian Sir John Summerson credits ‘the most daring of all English buildings’[3] as the … Continue reading The Elizabethan Country House And The Cult Of Sovereignty