Dadaism & Surrealism: Responses to Culture

Dada and Surrealism respond to cultural circumstances, into which their respective aesthetic and ideological frameworks come into play. The dadaist response post-WWI is overtly politicised in Berlin, where the aftermath of war in Germany was felt acutely, providing a state of social and political disorder which German artists could exploit through the dada channel. Dada, … Continue reading Dadaism & Surrealism: Responses to Culture

Dadaism & Surrealism: An Introduction

Dada (1916-1924) and Surrealism (1924-1966) stand as two movements from markedly different time periods and cultural contexts. Both of these span artistic, literary and intellectual activity of the early 20th century, involving circles of writers, poets and visual artists who feed into a larger group output. Dada launched in 1916 in Zurich as a direct … Continue reading Dadaism & Surrealism: An Introduction

The Yellow Wallpaper: Hysteria, Rest Cures & Gender Theory

Throughout Victorian culture, ‘The angel in the house’ works as a one-dimensional character identity, however, in ‘The Yellow Paper’ Charlotte Perkins Gilman chooses to write about a 19th century woman who overtly experiences a crisis of the self and case of conflicted identity. This becomes evident at first through the division of the ‘rational’ which … Continue reading The Yellow Wallpaper: Hysteria, Rest Cures & Gender Theory

The Yellow Wallpaper: Fear, The Uncanny & The Female Gothic

'The Yellow Wallpaper' by Charlotte Perkins Gilman overturns the reader's expectations of a 19th century wife and mother. The narrator's 'descent' into madness is an evocative commentary on the powers that be - a troubling psychosis which reads as an early psychological horror story. In the first part of this series, we referred to Virginia Woolf … Continue reading The Yellow Wallpaper: Fear, The Uncanny & The Female Gothic