Musings: Angela Carter & The Bloody Chamber

The Bloody Chamber: Blood. Using blood as the starting point, my initial thoughts are on Carter’s title, its allusions and its uses in a wider feminist discussion. A woman’s fertility and her sexuality come down to blood: Hot-blooded, intimacy, rituals, cults and covens, blood bonds; there’s a mysticism surrounding blood and its potency. Feminist artists … Continue reading Musings: Angela Carter & The Bloody Chamber

Shakespearean Drama: Analysis of William Shakespeare’s Richard III, Act I Scene 2

Richard III stands as a historical play in the Shakespearean canon: Playwright William Shakespeare (1564-1616) worked this particular episode circa 1592 in a saga pertaining to the ‘Tudor Myth’[1]. Belonging to the First Folio, Richard III closes a tetralogy and charts the ambitions of historical figure King Richard III of England (1452-1485). As part of … Continue reading Shakespearean Drama: Analysis of William Shakespeare’s Richard III, Act I Scene 2

The Elizabethan Country House And The Cult Of Sovereignty

From 1570 – 1620 one can chart the ‘Elizabethan building boom’[1]. Here, we see an unprecedented rise in the building of ‘proud, ambitious heaps’[2] and the beginnings of the ‘architect’ as an entity in the cultural, economic and social landscape. Architectural historian Sir John Summerson credits ‘the most daring of all English buildings’[3] as the … Continue reading The Elizabethan Country House And The Cult Of Sovereignty