Dadaism & Surrealism: Responses to Culture

Dada and Surrealism respond to cultural circumstances, into which their respective aesthetic and ideological frameworks come into play. The dadaist response post-WWI is overtly politicised in Berlin, where the aftermath of war in Germany was felt acutely, providing a state of social and political disorder which German artists could exploit through the dada channel. Dada, … Continue reading Dadaism & Surrealism: Responses to Culture

Thoughts on Lady of the House by Charlotte Furness for fellow readers and historians

Studying the Country House for my masters, of course I wanted to get my hands on Lady of the House: Elite 19th Century Women and their role in the English Country House by Charlotte Furness. How women are intimately bound up with the decorative arts, social history and material culture has been a constant source of … Continue reading Thoughts on Lady of the House by Charlotte Furness for fellow readers and historians

Dadaism & Surrealism: An Introduction

Dada (1916-1924) and Surrealism (1924-1966) stand as two movements from markedly different time periods and cultural contexts. Both of these span artistic, literary and intellectual activity of the early 20th century, involving circles of writers, poets and visual artists who feed into a larger group output. Dada launched in 1916 in Zurich as a direct … Continue reading Dadaism & Surrealism: An Introduction