The Omega Workshops Ltd. – Company Ethos

The company ethos of the Omega Workshops was a development from that of previous institutions and movements. The Aesthetic movement of the late nineteenth century had stressed ‘art for art’s sake’1 as a working principle which translates into the Omega emphasis on pure art and beauty. What critic Charles Marriott sees in Omega as ‘a … Continue reading The Omega Workshops Ltd. – Company Ethos

The Omega Workshops Ltd. – Objects and Interiors

In the introductory article, we went over the principles on which the Omega Workshops Ltd. were founded. I feel that the best way to trace development in the decorative arts is to explore how forming principles were practically applied. To that end, we’re going to use Bloomsbury and Omega styled interiors and objects as a … Continue reading The Omega Workshops Ltd. – Objects and Interiors

The Omega Workshops Ltd. – The Big Idea

Perhaps you saw the televised adaption Life in Squares or perhaps you encountered one of its members through the literary and artistic channels of early 20th century Bohemianism: The infamous Bloomsbury Group were a collective of artists, philosophers, writers and intellectuals active at the exciting time of early British Modernism (by which I refer to … Continue reading The Omega Workshops Ltd. – The Big Idea

Porcelain, Palaces and the Dutch Influence in 17th Century England

Royal incentive enabled trends to catch across Europe in the interests of fashion and Queen Mary II and King William III's arrival in England as co-regents swore in the Dutch decorative taste, fresh from their residences in the Netherlands. The King and Queen's collection of palaces followed the sequential pattern of those in France, decked … Continue reading Porcelain, Palaces and the Dutch Influence in 17th Century England