Dadaism & Surrealism: Use of Objects

Objects figure prominently in Dada and Surrealism, starting with Marcel Duchamp’s (1887-1968) introduction of the assisted ‘Ready-Made’[1] and branching out into the ‘Surrealist Object’ which 34 took its cue from Duchamp’s conception and initial use of the ‘Found Object’. Attached to Dada as a disruptive art of ‘noise’[2], props and masks were used, incorporating objects … Continue reading Dadaism & Surrealism: Use of Objects

Dadaism & Surrealism: Responses to Culture

Dada and Surrealism respond to cultural circumstances, into which their respective aesthetic and ideological frameworks come into play. The dadaist response post-WWI is overtly politicised in Berlin, where the aftermath of war in Germany was felt acutely, providing a state of social and political disorder which German artists could exploit through the dada channel. Dada, … Continue reading Dadaism & Surrealism: Responses to Culture

The Omega Workshops Ltd. – 33 Fitzroy Square

Please note, if you hadn't already, it would be most beneficial to read my preceding articles on the Omega Workshops and their connection to Modernism and the Bloomsbury Group in Twentieth Century England... Part of 1 The Omega Workshops Ltd. – “The Big Idea” here... Part 2 of The Omega Workshops Ltd. – “Objects and … Continue reading The Omega Workshops Ltd. – 33 Fitzroy Square