The remit of the architect in the 18th century became all-encompassing. It was in this period that the role flourished in such a way that had been unrealised in preceding centuries. Indeed, considering the great names in architecture of the era, one would associate a fame: These men were not merely builders, but gentlemen of … Continue reading Notes on The Architect in Georgian Britain
Please note, if you hadn't already, it would be most beneficial to read my preceding articles on the Omega Workshops and their connection to Modernism and the Bloomsbury Group in Twentieth Century England... Part of 1 The Omega Workshops Ltd. – “The Big Idea” here... Part 2 of The Omega Workshops Ltd. – “Objects and … Continue reading The Omega Workshops Ltd. – 33 Fitzroy Square
We've explored how painters like Renoir and Degas concerned themselves with capturing scenes of the capital by day and by night, an occupation which stemmed from Paris opening like a cultural flower in the mid-19th century - its new environs practically buzzing with diversions to catch the eye. The monolithic intentions of city planner Baron … Continue reading The Impressionists – Introducing ‘Le Flâneur’
The company ethos of the Omega Workshops was a development from that of previous institutions and movements. The Aesthetic movement of the late nineteenth century had stressed ‘art for art’s sake’1 as a working principle which translates into the Omega emphasis on pure art and beauty. What critic Charles Marriott sees in Omega as ‘a … Continue reading The Omega Workshops Ltd. – Company Ethos
