Notes on The Architect in Georgian Britain

The remit of the architect in the 18th century became all-encompassing. It was in this period that the role flourished in such a way that had been unrealised in preceding centuries. Indeed, considering the great names in architecture of the era, one would associate a fame: These men were not merely builders, but gentlemen of … Continue reading Notes on The Architect in Georgian Britain

The Victorian Country House: Morality, Domesticity & Organisation

Running a household in Victorian England had become a science – with tasks to be delegated and a system of categorised activity for those at every level of society. When Girouard writes of the eminent concern for ‘morality, domesticity, organisation and hospitality’[1] in the country house the emphasis is on the rigid upholding of standards … Continue reading The Victorian Country House: Morality, Domesticity & Organisation

Prince Albert: Patron & Collector – Museums and Education in Victorian England

Albert’s German background, educational pursuits and patronage efforts accumulated in his aims for permanent museums as places of learning and leisure. Albert had a desire to reform deign and art education via a Kultuforum[1] in South Kensington, given the progressive, intellectual and reformative climate of the nineteenth century. Socially, the government had passed the Reform … Continue reading Prince Albert: Patron & Collector – Museums and Education in Victorian England

Prince Albert: Patron & Collector – A Curatorial Character

Prince Albert had quite the curatorial character, something expressed through the fervor of his collecting habits and especially when outfitting an estate. In the management of art works belonging to the royal households, Albert proved himself to be meticulous, a factor which Lucy Whittaker examines when writing on his ‘systematic approach to art and frames’1. … Continue reading Prince Albert: Patron & Collector – A Curatorial Character

Prince Albert: Patron & Collector – Supporting the Efforts of Artists and Innovators

Prince Albert proved himself to be an involved patron using his own expertise to foster artistic talent, his twin pursuits of Northern and Italian painting inclined the prince to encourage living artists. For example, Albert acquired paintings from contemporaries such as William Dobson, William Dyce, Charles Eastlake and Michael Wittmer1, whose work added to the vocabulary … Continue reading Prince Albert: Patron & Collector – Supporting the Efforts of Artists and Innovators

The Omega Workshops Ltd. – Objects and Interiors

In the introductory article, we went over the principles on which the Omega Workshops Ltd. were founded. I feel that the best way to trace development in the decorative arts is to explore how forming principles were practically applied. To that end, we’re going to use Bloomsbury and Omega styled interiors and objects as a … Continue reading The Omega Workshops Ltd. – Objects and Interiors

Prince Albert: Patron & Collector – Taste, Influence and Personal Preference

In 19th century England the fact remained that Prince Albert of Saxe-Coburg and Gotha, consort to Queen Victoria, was a ‘foreign’ German prince1. Parliament had been cautious, reigning in Prince Albert’s allowance of Royal privileges, one of which included holding back the title ‘Prince Consort’ and another saw the strings to the royal purse being … Continue reading Prince Albert: Patron & Collector – Taste, Influence and Personal Preference