Romanticism: Women and Realism in the poetry of William Wordsworth

The exotic, oriental, mystic and ‘Other’ qualities of Romanticism allow for the erotic and sexualised undertones of women in an escapist vein. When we invert this model, grounded in realist concerns, the naturalistic poetry of William Wordsworth appears sympathetic to the cause of women in their adversity. Critics such as Katharine Merrill have agreed that … Continue reading Romanticism: Women and Realism in the poetry of William Wordsworth

The Development of the ‘Picturesque’ in Landscape Gardening – Formal to Informal

It was in the 18th century that criticism notes the dissent from the model of the ‘formal’ garden[1] and the emergence of an ‘informal’ garden[2] style seen across alternatives which included the proposition of the ‘English Landscape’ and ‘Picturesque’ garden[3]. Indeed, Sellers writes that ‘at the beginning of the eighteenth century […] the first voices … Continue reading The Development of the ‘Picturesque’ in Landscape Gardening – Formal to Informal

Romanticism: Women and Sexuality in ‘Kubla Khan’ by Samuel Taylor Coleridge

Samuel Taylor Coleridge (1772-1834) writes Kubla Khan (1816) in a mode of escapism which was compatible with the Romantic attitude in the late 18th and early 19th centuries. Kubla Khan is composed with allusions to the exotic, foreign and erotic, all which are elements of the poem’s pervading Orientalism. Drawing on connotations of “Otherness”, the … Continue reading Romanticism: Women and Sexuality in ‘Kubla Khan’ by Samuel Taylor Coleridge

Displaying Porcelain in the 17th and 18th Centuries

The porcelain displays of William and Mary were prevalent on a lesser scale (in terms of grandeur, moving on from the baroque palace) in the Dutch interior of the 17th century where Chinese pieces were a desirable luxury and a popular commodity among the affluent [1]. Here, choice examples of an eclectic variety (vases, bowls, … Continue reading Displaying Porcelain in the 17th and 18th Centuries