Dadaism & Surrealism: Use of Objects

Objects figure prominently in Dada and Surrealism, starting with Marcel Duchamp’s (1887-1968) introduction of the assisted ‘Ready-Made’[1] and branching out into the ‘Surrealist Object’ which 34 took its cue from Duchamp’s conception and initial use of the ‘Found Object’. Attached to Dada as a disruptive art of ‘noise’[2], props and masks were used, incorporating objects … Continue reading Dadaism & Surrealism: Use of Objects

Thoughts On The Women Who Inspired London Art by Lucy Merello Peterson for fellow historians and readers

The early-mid century London art scene has always been of particular interest to me, given my love affair with the Bloomsbury Group and their circle as they fox-trotted across the literary, artistic, philosophical and intellectual worlds of the new millennia. The Omega Set, in particular and their liberal play with the decorative arts was especially … Continue reading Thoughts On The Women Who Inspired London Art by Lucy Merello Peterson for fellow historians and readers

Marie Antoinette at Versailles: The Petit Trianon & Queen’s Hamlet

Among the grounds of Versailles, Le petit Trianon and its hamlet were Marie-Antoinette’s turn at the provincial life – as a hobbyist might take up historical re-enactment. A living, breathing, working set: Complete with rustic exteriors, windmill, bridge and players. The hamlet was a blend of fancy and function; as closely as it could be … Continue reading Marie Antoinette at Versailles: The Petit Trianon & Queen’s Hamlet